Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe
Salon International du Livre Rare & de l'Autographe

2019 PROGRAM : 




Founded through a bequest made to the City of Paris by an industrialist, Aimé-Samuel Forney, who wanted to enhance the situation of the arts and crafts, the library was inaugurated in 1886, in rue Titon (11th borough) in the Saint-Antoine district. Initially dedicated solely to arts and crafts and the decorative arts and frequented by craftsmen (cabinetmakers, ceramicists, painters, etc.), it extended its specialisation to art in general, thereby attracting a more diverse public (students, professionals in the fields of fashion, design and graphic design, etc.), in particular from 1961 when it moved to the Hôtel de Sens, at the heart of the Marais district.




* Fine arts: painting, sculpture, architecture, drawing, engraving, etc.
* Decorative arts: ceramics, costumes, interior decoration, design,
* Graphic arts: arts of the book, poster and advertising arts,
* Applied arts: fashion, design, decoration, etc.
* Arts and crafts: woodwork, metalwork, pottery, glasswork, textiles, etc.


Both a conservation library and a lending library, the Forney Library is now dedicated to the decorative arts, arts and crafts, applied arts and graphic arts. It distinguishes itself through the diversity of the documents conserved, both heritage documents and available for home loan including printed collections from the 18th century to the present day, books and periodicals, exhibition and museum catalogues, public and exhibition art sales catalogues and more. It also houses one of the most extensive iconographic heritage collections in France, consisting of advertising posters, wallpapers, fabric samples, catalogues of business organisations, postcards, original drawings, models and archives of professionals in the fields of the decorative arts, graphic design, design and fashion, as well as a large collection of advertising documents (imagery).

Regular exhibitions have always been organised with the aim of showcasing these collections.
The Forney Library today – its documentary and cultural project

The specialist and heritage libraries of the City of Paris:
The Forney Library is part of the municipal network of Parisian libraries, and more particularly the network of specialist and heritage libraries comprising the library of the Hôtel de Ville de Paris and the Historic Library of the City of Paris.

Specialist libraries portal (catalogue, digitised documents, news):

The Forney Library – its collections and reading rooms:

The Forney Library welcomes a very diverse public including students and professionals in the fields of art, applied arts, arts and crafts, graphic arts, fashion and design, teachers, researchers, amateurs and people with a curious disposition. Its collection of loan documents (including DVDs) attracts a wide-ranging public, going beyond researchers interested in heritage resources, who can make use of the warm reading rooms boasting a striking architectural character. Furthermore, as a historic monument in the Marais district, it attracts numerous visitors and tourists who are fascinated by this medieval building in the heart of Paris and the exhibitions its hosts.

During 2016, the Forney Library was closed to public for major refurbishment with a view to being able to welcome readers and visitors in the very best conditions: accessibility of the ground floor dedicated to exhibitions and shedding light on its collections, the rationalisation of its spaces and enhanced visibility regarding the areas intended for the public and reserved for staff, and greater clarity and fluidity of the movements of readers and visitors..
Renovation work is ongoing in 2018 on the 3rd floor of the building, dedicated to the iconographic and reserve collections, in order to further improve the levels of comfort offered to readers.

Cultural project:

Within the framework of the policy defined by the Cultural Affairs Directorate, the Forney Library has developed an ambitious project with the aim of satisfying the existing public and attracting new visitors. Its cultural policy is manifested through exhibitions, a permanent circuit (when there are no temporary exhibitions), workshops and conferences focusing on arts and crafts, fashion, design, graphic arts and more.

A new circuit showcases the library’s architectural and documentary heritage, offering visitors the chance to enjoy the “treasures” of the Forney Library at their convenience. The main reading room is also visible from this circuit that is open to visitors. Attracted by the building’s spectacular exterior and keen to enjoy the heritage, visitors are invited to “step inside” and follow the free circuit – “the gallery” – which tells the history of the building and displays some of the library’s precious yet highly visible and accessible documents, either in their original format or using digital media (a multimedia device is provided by the Société des Amis de la Bibliothèque Forney – the Friends of the Forney Library). The library hosts conferences, workshops and cultural activities of every kind: groups, visits, art and craft demonstrations, artistic encounters and more.

Useful information
The library is open to any person with the baccalaureate or any adult carrying the specialist libraries card of the City of Paris. This free card is created immediately upon presentation of an ID document and a recent passport photo. Personal and valid for one year, it allows the holder to consult documents on-site or take loan documents home.

Hôtel de Sens, 1 rue du Figuier, 75004 Paris
Saint-Paul underground station (line 1) or Pont-Marie underground station (line 7)
Velib’ stations: 4010, St Paul-Pavée, 4009, Village St Paul, 4011, place du bataillon française de l’ONU
01 42 78 14 60

Social networks: Facebook, Twitter, Pinterest

Library opening hours:
Tuesday, Friday and Saturday: 1 p.m. - 7.30 p.m.
Wednesday and Thursday: 10 a.m. - 7.30 p.m.
Opening times of exhibition and the gallery:
Tuesday to Saturday: 1 p.m. - 7 p.m.

Société des Amis de la Bibliothèque Forney
Hôtel de Sens, 1 rue du Figuier, 75004 Paris

J-B Gurliat - Mairie de Paris

J-B Gurliat - Mairie de Paris


SABF Donation - Ambre solaire, pour brunir sans brûlures Lithographic poster, 160 x 120 cm drawn by Charles Loupot.  Paris: Printer. Courbet, 1936

SABF Donation -Dédalus point par point no.9 / Rafaële Ide, 2017

SABF Donation - Dominique Digeon, poem by Charles Baudelaire, 2016. Handwritten, cut, woven, in a box with typed text, unique copy, dated, signed

SABF Donation - Tokyo Umbrella / Franticham,  Redfoxpress, 2008. Photographs taken in Japan by Hantic-Ham and Francis, September 2008. Work printed in 69 copies on traditional Korean paper in the Redfoxpress studios, 2008

SABF Donation - Invasion of the iguana people by the American, Wellington Sun. Self-printed in 20 copies, numbered and signed. Black and white comic – silk-screen printed cover - 5 coloured passages, 8 pages – 28 x 19 cm

SABF Donation -Lucinges / Michel Butor, Martine Jacquemet, Aencrages & Co 2016. This second edition was produced on the occasion of Michel Butor’s 90th birthday for the Artistic Book Festival in Lucinges, 2016

SABF Donation - Flip-Flop Prophets by the Canadian, Owen Plummer, printed and published by Le Dernier Cri in Marseille, 2008. Silk-screen printed in full – 16 coloured passages, 48 pages – cover with flaps – 30 x 22 cm. 200 copies – out of print.

SABF Donation - La Pelote qui tricote le temps, Catherine Liegeois, poem by Geneviève Peigné


Vues maritimes en médaillons, panneau décoratif intermédiaire de papier peint, manufacture française vers 1860-1870, dessin de Victor Poterlet (1811-1889). Impression à la planche sur papier continu, fond gris lissé, 16 couleurs. 95 cm x 48 cm
©Yves Lesven/Bibliothèque Forney

Les rives du Bosphore, lé 23. Papier peint panoramique, manufacture Joseph Dufour à Paris, édition originale avant 1812, reédition seconde moitié du 19ème siècle par la manufacture Desfossé & Karth. Impression à la planche sur papier continu, fond bleu ou gris, 13 couleurs. 145 cm x 57 cm
©Yves Lesven/Bibliothèque Forney

Papier à motif répétitif d’après Jouy, Manufacture Paul Dumas à Montreuil-sous-bois, vers 1929. Impression à la machine, fond blanc, 3 couleurs. Reprend en motif inversé la toile imprimée « Au loup » de la manufacture Oberkampf à Jouy, 1783-1789, dessin de Jean-Baptiste Huet. La bibliothèque conserve un exemplaire de cette toile, en coloris bleu, TI 181058 GF
©Yves Lesven/Bibliothèque Forney


Collectif Hécatombe. Un Fanzine Carré no C. 2013. offset, sérigraphie, cousu collé cartonné, 9 x 9 x 9 cm.
Riri. Nini, la coccinelle de la mer. 2010. Linogravure, 10 cm.
Maïc Batmane. Monstres. Février 2016. Risographie. 
Selena Wong. Deux filles. 2011. Dessins et photographies, 8cm.
©Yves Lesven/Bibliothèque Forney

Presentation of the Forney Library collections during the show:
Friday, Saturday and Sunday at 4 pm: Presentation of the Forney Library and Exhibition of documents under showcase
Saturday at 2:30 pm: Discovery of precious documents from Forney Library; detailed presentation of emblematic pieces
Saturday at 6 pm: Presentation of the Forney Library and Exhibition of documents under showcase
Sunday at 2.30 pm: Preventive conservation, presentation of the activities of preservation and conditioning workshop of the library

The Société des Amis de la Bibliothèque Forney (Friends of the Forney Library)

The first Société des Amis de la Bibliothèque was founded in 1914 with a view to bringing together private initiative and the public authorities, encouraging donations and contributing to the expansion of the collections and the library’s renown. Its activities are manifold:

* In close collaboration with the curators, it devotes most of its resources to acquiring rare or precious documents and communication tools;
* It participates in the organisation of exhibitions as well as producing brochures and postcards;
* Since 1962, it has published a regular newsletter which has become a genuine reference work in the fields of the decorative arts and artistic events;
* It organises guided visits of workshops and exhibitions.

For more information about us, visit:

Digital device (graphic screen), presentation and guide of the library’s resources open to the public.


A modern and vibrant workshop

The National Imprimerie's Art book & Printing Workshop is a living workshop which, in the purest tradition of French excellence going back five centuries, continues to print books produced by contemporary artists and authors. A living workshop, whose modernity is also expressed, for example, in the digitization of historical printed characters or by creating exclusive contemporary fonts to order.

A tradition of excellence going back five centuries

The typeface designer, the punchcutters, the founders, typesetters and printers and the copperplate printer form an exceptional team who work, day-in, day out, on a range of machines not found anywhere else in the world which ensure that the treasures of the punching workshop made up of some 700,000 engraved pieces, mostly classified as historical artifacts are maintained.


These master craftsmen and craftsmen can meet any request from editors, artists, gallery owners, book lovers, public institutions or private companies. The typsetters use the 7 characters exclusive to the Imprimerie Nationale, the Garamond or Romain de l'Université, the Grandjean or Romain du Roi, the Luce or poetic font, the Didot millimétrique, the Marcellin-Legrand, the Jaugeon and the Gauthier. They also have the largest collection of oriental characters in the world, enabling 65 scripts to be written, each one in several styles: Hieroglyphs, Coptic, Chinese, Assyrian, Aramaic, Hebrew, Arabic (12 styles), Samaritain, Siamese, Brahmî, Syriac, Tifinagh, etc.

Art books at the Imprimerie Nationale

The Imprimerie Nationale's vocation has always been to create books for bibliophiles. Many of them are master pieces which it has published since 1640, the year it was established. The very first painting book was printed on its presses in 1900. Countless renowned artists were printed or edited by the Imprimerie Nationale, from Pierre Bonnard to Miquel Barceló. Several of these artist's books are still available as well as large advance copies which have appeared in the collections "Letters from French", "The Salamander" or "Great Figures in History".

A historic library

With more than 35,000 books from the XVIth century to the present day, the Imprimerie Nationale's historic library includes, in addition to resources dating back to the establishment of the State, of resources specializing in the graphic arts, bibliophilia, oriental learning, travel, natural history, etc.

Demonstrations shall be given during the event on Fridays, Saturdays and Sundays at 2 pm, 3 pm, 4 pm and 5 pm.
Friday: typesetting and fonts
Saturday: typeface design and punch-cutting
Sunday: punch-cutting
For any information and to order, contact:
Art book & Printing Workshop, 104, avenue du Président-Kennedy, 75016 Paris.
Tel.: 01 40 58 87 83 or 06 71 65 83 60

The rare book workshop.
Engraving a punch by Nelly Gable, master craftsman.
Punches of the Grecs du Roi engraved by Garamond in the middle of the XVth century.

Bestiaire solaire by Pierre-Yves Trémois, consisting of Romain du Roi and several oriental characters. Printed on the presses of the Imprimerie nationale on behalf of éditions Gonin, Lausanne, 1975.


100 years of French luxury publishing
Since 1886, Draeger has made its mark: “A catalogue printed by Draeger will be an outstanding ambassador for your company”.
Employing up to 1,000 people, the Draeger printing company has produced some of the most prestigious promotional catalogues, calling on artists such as Van Dongen, Matisse, Dali and Boutet de Monvel.
Renowned illustrators – including Paul Iribe, Cassandre, Loupot and Savignac – have also brought their style to bear. The Dubonnet and SS Normandie advertisements as well as the Vins Nicolas and Fourrures Max catalogues are just some of the famous creations produced by the Draeger printing company.
For the first time, the family, accompanied by Jean Izarn and the Librairie Chrétien book store, is exhibiting and selling this unique collection of 300 of the most stunning advertising and artistic editions together with original works by outstanding pairs of artists and authors:
Charles Martin-Jean Cocteau, Cassandre-Blaise Cendrars, Jean Dupas-Colette, Benito-Zamacoïs mimicking Montesquieu…
Before its general release, Alain Draeger will also be selling his book: “Draeger, un merveilleux Ambassadeur”, published by Draeger and signed by the author on the Librairie Chrétien stand in the Grand Palais (stand H7, I3, I4).

Van Dongen : « Draeger un merveilleux Ambassadeur », aquarelle, 1924.

Loupot-Nicolas : « Nectar », lavis, 1928.

Cassandre(A.M.) et Cendars - (Blaise). Paris, Draeger, 1935.

Jazz. Paris, Tériade, Draeger, 1947, in folio (42.2x32.6cm.)

Benito Zamacoïs - Fourrures Max : « La dernière lettre persane », porte-folio de 12 planches, 1920.

Luza Reynaldo. Presenting silhouette. Paris, Draeger, 1925

Luza Reynaldo. REVILLON FOURRURES, Collection 1926-27. 8 estampes-signées dans la planche du monogramme de Reynaldo Luza.

Salvador Dali. Dali au pays des Fées... de l'imprimerie Draeger.


Located in the 14th borough in Paris, the Atelier de Siloë has specialised in the art of illumination and the creation of coats of arms for some fifteen years.

An art historian and publishing assistant, Siloë was irresistibly drawn towards the art of illumination. She now regularly exhibits her work in Paris and throughout France as well as organising courses and apprenticeships in her workshop or in historic monuments.

Her activity as an heraldic artist means that she creates coats of arms for private individuals and organises coat of arms creation workshops in companies.

In choosing her art name, Siloë illustrates her desire to link this art to its original aim: to deliver a spiritual message which endeavours to take a new look at the world by creating works of art rich with symbols and composed in accordance with a specific geometry and colours emblematic of harmony. After all, it was in the Siloam Pool that Christ healed the blind man.

An illumination is a work imbued with meaning. For Siloë, illuminating means highlighting a text, either spiritual or secular, by creating a work comprising elements which enhance its message and reveal the symbolic power of the shapes, colours and precious materials used in the art of illumination, such as gold leaf and colours freshly made from pigments.

A 21st-century illuminator, Siloë nevertheless uses ancient technical recipes and materials (plates to be gilded, natural pigments, binder made from egg and gum arabic) as well as more recent products when this seems more judicious (less toxic pigments or pigments with a better lightfastness for example). Her works are either ex-nihilo creations or works freely inspired by manuscripts from the Middle Ages and the Renaissance.

Displaying a fervent desire to return illumination to its rightful place in the art of the book by creating original manuscripts, she is currently preparing a commemorative exhibition for 2019 celebrating the 140th anniversary of the birth of Albert Einstein, in collaboration with other artists from disciplines as diverse as sculpture, engraving, dance, lightcraft, etc.

During the Rare Book Fair at the Grand Palais, workshops and a question/debate session will be organised on site on Friday 12, Saturday 13, and Sunday 14 April:


from 11.30 a.m. to 1 p.m. and 4.30 p.m. to 6 p.m.

(possibility of attending for 20 minutes or the entire session for a more elaborate creation)

Questions/debate: from 2 p.m. to 3 p.m.


Atelier de Siloë

Illumination and heraldic art

44 rue Dareau 75014 Paris


Zodiac Man - illumination on elephant-hide paper - extra-fine gouache - gold leaf on mordant

Jeanne d’Evreux and her guardian angel - illumination on elephant-hide paper - extra-fine gouache - gold leaf on mordant.

Milky Way - illumination on parchment - tempera- shell gold on garlic juice.

Merovingian carpe diem - parchment - tempera.

Noli me tangere triptych - grey-blue Canson paper - extra-fine gouache - gold leaf on plate.

Ottonian letter P - purple parchment - fish glue - gold leaf on plate.

“L’Ile bleue” manuscript - elephant-hide paper - extra-fine gouache and Sennelier tempera - gold leaf on mordant

“L’Ile bleue” manuscript - elephant-hide paper - extra-fine gouache and Sennelier tempera - gold leaf on mordant

“L’Ile bleue” manuscript - elephant-hide paper - extra-fine gouache and Sennelier tempera - gold leaf on mordant

 Einstein en lumière - Enluminure sur parchemin teinté - Détrempe et or en coquille


A symbol of Paris, the bouquinistes contribute to the charm of the banks of the Seine and are an essential link between book stores selling new books and book stores for bibliophiles. The street is their shop! There are 80 of them on the right bank and some 140 on the left bank, consisting of 145 men and 75 women.  


Having appeared with the development of the second-hand book market in the second half of the 16th century, the bouquinistes of the quays of Paris have focused their activity around the Pont-Neuf and the neighbouring embankments. They have developed their own know-how and boast numerous particularities:
Open every day with a significant presence on public holidays, at weekends and during holiday periods; free access to their book store with no limitations or obstacles: the street is their shop; open air activity subject to the vagaries of the weather and the seasons; the characteristics of the books they sell: second-hand and very diverse, at prices affordable to everyone, substance over style, out of print with the publisher and this not available from book stores selling new books, but not sufficiently rare or precious to be found in collectors’ stores; an almost complete absence of the use of new technologies;
 their original, passionate, free-spirited personalities that fall outside the usual frameworks, with no boss or hierarchy.
Every year, they organise an exhibition at the fair. This year, “the bouquinistes in contemporary engraving” will bring together a hundred engravings produced especially for the event.

Carine Perreur. Les Géants encombrants. Etching, aquatint, 15 x 20 cm.


Arts, culture, nature, heritage
8 villages du livre, or book villages, brought together in a federation:
Ambierle, Auvergne - Rhônes-Alpes
Bécherel, Bretagne
La Charité-sur-Loire, Bourgogne - Franche-Comté 
Cuisery, Bourgogne - Franche-Comté
Esquelbecq, Hauts-de-France
Fontenoy-la-Joûte, Grand Est
Montmorillon, Nouvelle-Aquitaine
Montolieu, Occitanie
An exhibition: André Blondel, rapid drawing
A product of the Polish avant-garde of the 1930s and counted among the artists of the School of Paris, he was a member of the Salon des indépendants and of the Salon d’automne.
Exhibition designed by and presented at the Musée des Arts et Métiers du Livre in Montolieu and at the Polish Library in Paris.
© André Blondel, painting and drawing - Private collection


Since its invention, attributed to China sometime around 105 AD, paper travelled a long and winding road before it reached the West.
It followed the Silk Road, appearing in the Middle East at the end of the 8th century. As technical developments emerged, paper replaced parchment, and paper-making centres sprung up in Europe and France from the 14th century onwards. The centre in Ambert was developed around 1450. Some 300 mills scattered along various watercourses were in operation in the three paper-making valleys around Ambert, making paper by hand, sheet by sheet, from recovered rags.
Today, the Moulin Richard de Bas in Ambert (the last working paper mill in the Auvergne) keeps this ancestral activity alive. The Moulin Richard de Bas is open to visitors all year round, offering guided visits and introductory workshops during which visitors can roll their sleeves up and lend a hand.
Exceptional paper on which some of the key moments of our history have been written (Diderot and Alembert's Encyclopaedia in the 18th century, the one and only copy of the 5th Constitution from 1958, etc.), rare hand-made paper which has long been appreciated by great artists (Picasso, Dali and Rauschenberg among others) and art publications (collectors' editions), prestigious paper made in the vats in front of you: the mill has also specialised in producing paper suitable for modern printing techniques.
During the fair, we look forward to welcoming you and introducing you to these ancestral practices which have given rise to the sheet of paper, and showing you the articles and papers produced by hand, sheet by sheet, at the Moulin Richard de Bas.

Moulin à papier Richard de Bas
Richard de Bas
63600 Ambert
Tel. 33 (0)4 73 82 03 11


Literary hotels
Four-star addresses dedicated to book-lovers, offering the perfect opportunity to plunge into the world of great writers

The Société des Hôtels Littéraires was created by Jacques Letertre, a keen collector and bibliophile who wanted to share his love for books by dedicating four-star hotels to his favourite writers. The decor pays homage to the chosen author through exhibition areas, multi-lingual libraries containing rare books and 500 paperbacks, works of art and rooms calling a specific character or poem to mind. Organising literary evenings, these hotels are also cultural centres and active partners of book stores, museums and fairs.

Following in the footsteps of the literary hotel Le Swann in Paris (8th district) dedicated to Marcel Proust, the Gustave Flaubert in Rouen, the Alexandre Vialatte in Clermont-Ferrand and the Marcel Aymé in Montmartre, the literary hotel Arthur Rimbaud in the 10th district of Paris will be inaugurated on 21 March 2019.

To find out more and read the latest news, visit our blog at


Everything you’ve always wanted to know about antiquarian books but never dared to ask.
The fair, which is open to both informed book lovers and newcomers, features a stand to initiate book lovers welcoming visitors throughout the event. Booksellers who are members of SLAM answer any questions budding collectors might have while accompanying them in their first purchase and sharing their expertise and passion. The works presented on this stand are carefully selected by the exhibitors for their interest and affordable price.


Several times a day, an initiation tour will take place to discover the wealth and diversity of the collections on show at the fair. Organised by booksellers from the SLAM, these guided visits will reveal the keys to a better understanding of these objects belonging to our heritage.
Meet at the reception point on Friday, Saturday and Sunday at 3.00 & 4.00 pm

ASSOCIATIONS (South and West naves)

Associations which organise antiquarian book fairs in the different regions present their activities:

ALAM, Salons du Livre de Bordeaux
LACME, Souvigny, Lapalisse, Clermont-Ferrand et Bourbon Lancy -
LIVRES ET LIRE À PARAY LE MONIAL, Salon du livre ancien et des métiers d’art du livre
Le Patrimoine culturel de Lucca et de la Toscane, La Piazetta del Libro
ARSAG, Association pour la recherche scientifique sur les arts graphiques -

(stand D4, Dôme)
Founded in Beaune in 1859, Louis Jadot is now a major owner in Côte d’Or, Beaujolais (Château des Jacques) and Fuissé (Domaine Ferret).
The company controls some 250 hectares of vineyards and produces a representative selection ranging from Burgundy, Chablis and Beaune Premiers Crus to such “Grands Crus” as Chambertin Clos de Bèze, Corton Charlemagne, Clos Vougeot and Chevalier-Montrachet to name but a few.
For wine aficionados, the head of Bacchus - which has appeared on the labels since Louis Jadot was founded - has become a guarantee of respect for Burgundy and a subtle expression of its lands.

21 rue Spuller
T. 03 80 22 10 57 - F. 03 80 22 56 03